Monday, June 25, 2018

Cherokee Fire Ceremony , Where? Toronto Ontario When? 2016

2016 Toronto Fire Ceremony


A fire ceremony is a Native American practice that is usually performed every full moon. You do not have to wait for a full moon in order to do a fire ceremony. Fire Ceremonies are wonderful during a New Moon, when you want to introduce newness into your Life. This Native American ritual is easy, simple and an awe-inspiring event.

You can do a fire ceremony yourself during the New Moon (probably every other month) or with friends in the backyard where you dug a large pit in the ground in order to build a safe fire. You can use a large clay pot, a campfire, a bonfire or an old barbecue grill.

Here is an extras from the Native American Website listed in the link section:

HOW IS A FIRE CEREMONY PERFORMED?

Each of us bring something to burn that we would like to rid the emotions associated with our past (on the Full Moon) or a prayer request of something new (during the New Moon), that will burn, turn to smoke and release into the ethers. 

This allows the past energy to move along to its highest spiritual progression path and the new prayer request to move along to its highest spiritual progression path.
We may bring pictures, drawings, or intentions written on a piece of paper for the past or the newness.

For the past, after we have burned and released the emotions associated with it, then we have something prepared that is written down on a clean sheet of paper. This would be something new that we would like to call forth from God. For the newness, the prayer request is then burned and released into the ethers thereby replacing the past emotions with new ones. 

We form a circle around the fire and one by one we call in support from Divine Sources that give us peace. E.g. - God, Jesus, Creator, the Blessed Virgin Mother, Spirit, the Universe, the Archangels, the Saints that we may feel closest to, Guardian Angels, etc. 

We start with a prayer, and end with a prayer that is coupled with thanksgiving that our prayers and intentions have already been answered.
Keep in mind, no one is obligated to speak during a Fire Ceremony. Anyone can participate without stating what they are releasing or calling forth. 

After we have called in our Divine Source we place into the fire our pictures, drawings and intended release of the emotions associated with the past. Once these things have burned to smoke and ash, we then place into the fire what we have written on clean sheet of paper. This would be what we desire to replace those old energies with and call in new. 

The things we address from our past or call into our future can be shared with the group or kept to ourselves as we go through the Fire Ceremony. 

In strict Native American custom - the burning of sage, sweetgrass or tobacco is burned along with the past, which is given as an offering. When the smoke rises up into the ethers and is carried away to God there should be a quiet or meditative break in order to embrace a new awareness of transformation in your life. It is also symbolic that you can offer up a bit of food you wanted and only ate half of so that you could offer the other half in thanks.

THE VALUE OF IMAGERY

Do not minimize the value of imagery in Native American ceremony. The Spirit of God is real. This is a way of demonstrating our gratefulness and thanksgiving to God. When we pray to our Source and Supply who is God; He can, will and does affect our lives. So honoring Him and showing Him respect is part of this ceremony. 

After your fire gets going, each person may contribute to the prayer and then the items are offered to the fire. Tell God and all the Divine Spirits that you have called forth that you offer these things in thanksgiving. Meditate and feel the presence of God all around you. Singing praise, playing peaceful music either through tapes or instruments may also be used. 

Every Divine Source you called in is present, so give thanks and believe you have already received.



Links

http://www.drstandley.com/nativeamerican_fire.shtml

https://photos.app.goo.gl/9hmiNusLNcHZZKUj9



Thursday, June 14, 2018

Karnak Temple Egypt

Karnak Temple is actually a vast temple city, with many of its structures dating back 4,000 years. It is today the largest remaining religious site of the ancient world, and it is visited by thousands of tourists every year. 

Seeing this place makes you think/ question if at any time in the past the giants lived on the Earth.
 
Cult temple dedicated to Amun, Mut and Khonsu. The largest religious building ever constructed.

The temple of Karnak was known as Ipet-isu—or “most select of places”—by the ancient Egyptians. It is a city of temples built over 2,000 years and dedicated to the Theban triad of Amun, Mut, and Khonsu. This derelict place is still capable of overshadowing many wonders of the modern world and in its day must have been awe-inspiring.

For the Egyptian population, this could only have been the place of the gods. It is the largest religious building ever made, covering about 200 acres (1.5 km by 0.8 km), and was a place of pilgrimage for nearly 2,000 years.

The area of the sacred enclosure of Amun alone is sixty-one acres and could hold ten average European cathedrals. The great temple at the heart of Karnak is so big that St Peter’s, Milan, and Notre Dame Cathedrals would fit within its walls.

The Hypostyle hall, at 54,000 square feet (16,459 meters) and featuring 134 columns, is still the largest room of any religious building in the world. In addition to the main sanctuary there are several smaller temples and a vast sacred lake – 423 feet by 252 feet (129 by 77 meters).

The sacred barges of the Theban Triad once floated on the lake during the annual Opet festival. The lake was surrounded by storerooms and living quarters for the priests, along with an aviary for aquatic birds.

The Egyptians believed that towards the end of annual agricultural cycle the gods and the earth became exhausted and required a fresh input of energy from the chaotic energy of the cosmos.
To accomplish this magical regeneration the Opet festival was held yearly at Karnak and Luxor. It lasted for twenty-seven days and was also a celebration of the link between pharaoh and the god Amun. The procession began at Karnak and ended at Luxor Temple, one and a half miles (2.4 kilometres) to the south.

The statue of the god Amun was bathed with holy water, dressed in fine linen, and adorned in gold and silver jewellery. The priests then placed the god in a shrine and onto the ceremonial barque supported by poles for carrying. Pharaoh emerged from the temple, his priests carrying the barque on their shoulders, and together they moved into the crowded streets.

A troop of Nubian soldiers serving as guards beat their drums, and musicians accompanied the priests in song as incense filled the air.

At Luxor, (right) Pharaoh and his priests entered the temple and ceremonies were performed to regenerate Amun, recreate the cosmos and transfer Amun’s power to Pharaoh. When he finally emerged from the temple sanctuary, the vast crowds cheered him and celebrated the guaranteed fertility of the earth and the expectation of abundant harvests.

During the festival the people were given over 11000 loaves of bread and more than 385 jars of beer, and some were allowed into the temple to ask questions of the god. The priests spoke the answers through a concealed window high up in the wall, or from inside hollow statues.

Excavations in the 20th century pushed the history of the site back to the Gerzean period (c. 3400–c. 3100 bce), when a small settlement was founded on the wide eastern bank of the Nile floodplain. Karnak contains the northern group of the Theban city temples, called in ancient times Ipet-Isut, “Chosen of Places.”

The ruins cover a considerable area and are still impressive, though nothing remains of the houses, palaces, and gardens that must have surrounded the temple precinct in ancient times. The most northerly temple is the Temple of Mont, the war god, of which little now remains but the foundations.

The southern temple, which has a horseshoe-shaped sacred lake, was devoted to the goddess Mut, wife of Amon; this also is much ruined. Both temples were built during the reign of Amenhotep III (1390–53), whose architect was commemorated by statues in the Temple of Mut.

Between these two precincts lay the largest temple complex in Egypt, and one of the largest in the world, the great metropolitan temple of the state god, Amon-Re. The complex was added to and altered at many periods and, in consequence, lacks a systematic plan.

It has been called a great historical document in stone: in it are reflected the fluctuating fortunes of the Egyptian empire. There are no fewer than 10 pylons, separated by courts and halls and nowadays numbered for convenience, number one being the latest addition.

Pylons one through six form the main east-west axis leading toward the Nile. The seventh and eighth pylons were erected in the 15th century bce by Thutmose III and Queen Hatshepsut, respectively, and the ninth and tenth during Horemheb’s reign (1319–1292). These pylons formed a series of processional gateways at right angles to the main axis, linking the temple with that of Mut to the south and, farther, by way of the avenue of sphinxes, with the temple at Luxor 2 miles (3 km) away.

The most striking feature of the temple at Karnak is the hypostyle hall, which occupies the space between the third and second pylons. The area of this vast hall, one of the wonders of antiquity, is about 54,000 square feet (5,000 square metres). It was decorated by Seti I (reigned 1290–79) and Ramses II (reigned 1279–13), to whom much of the construction must be due.

Twelve enormous columns, nearly 80 feet (24 metres) high, supported the roofing slabs of the central nave above the level of the rest so that light and air could enter through a clerestory. Seven lateral aisles on either side brought the number of pillars to 134. Historical reliefs on the outer walls show the victories of Seti in Palestine and Ramses II defeating the Hittites at the Battle of Kadesh.

Ramses III (reigned 1187–56) built a small temple to Amon outside the Ramesside pylon across from a triple shrine erected by Seti II (reigned 1204–1198). The Bubastite Gate at the southeast corner of this court commemorates the victories won by Sheshonk I (reigned 945–924), the biblical Shishak, in Palestine.

The Kushite (Nubian) pharaoh Taharqa (reigned 690–664) erected a tall colonnade, of which one pillar still stands. The smaller monuments were subsequently enclosed by the addition of a vast court, probably begun during the Late Period (664–332 bce), fronted by the massive first pylon, an ambitious project that was never completed. Beyond it an avenue of sphinxes—set in place largely by Amenhotep III and usurped by Ramses II—leads to the quayside.

Within the enclosure of the Great Temple of Amon are included a number of other notable small shrines and temples. A temple to Ptah, in the north side of the enclosure, was built by Hatshepsut and Thutmose III and added to by the Ptolemies, who also embellished the Great Temple of Amon by the addition of granite shrines and gateways.

To the south, Ramses III dedicated a temple to Khons, the moon god, which merits attention. A small late temple to Opet, the hippopotamus goddess, adjoins it.


Karnak Temple – A Long Legacy
Perhaps the most famous element of the Karnak Temple is the Hypostyle Hall, which was begun in the 18th Dynasty and finished in the 19th Dynasty, composed of 134 papyrus-shaped pillars, many 21 meters high and 3 meters in diameter, decorated with reliefs and paint still visible today.

Queen Hatshepsut, daughter of Thutmose I and wife of Thutmose II, usurped the throne for 22 years and was possibly the “daughter of Pharaoh” that drew Moses out of the Nile and adopted him (Exodus 2:5–10). At Karnak, she constructed Egypt’s tallest obelisks 29.5 meters, one which can still be seen today, along with her cartouche on it.

Thutmose III (ca. 1504–1450 BC), who according to biblical chronology reigned just before the Exodus and 40 years of wilderness wandering and suggested by some to be a Pharaoh of the oppression or Pharaoh of the Exodus, had a topographical relief constructed on the sixth and seventh pylons that listed cities in the Levant that he conquered. Many of these cities are also recorded in the Old Testament, and in the proper order, including a set from Numbers 33:45-50. Inscribed on the wall are locations as part of a topographical list containing 119 place-names in Canaan, Transjordan, Lebanon and Syria. The Egyptian route from the Arabah to the Plains of Moab lists four locations: Iyyin, Dibon, Abel, and the Jordan River. Numbers 33 lists six locations they camp at: Iyyim, Dibon-gad, Almon-diblathaim, Mt. Nebo, Abel-shittim, and the Jordan River. By comparing the two lists, one can see the route taken by the Israelites through Transjordan matches correctly with the Egyptian topographical list. Thus, the travel account in Numbers 33 is not only accurate, but in accordance with data from around 1450 BC, just over 40 years before the Israelites made the journey on this route.
Karnak Temple – The Way of the Land of the Philistines
The Canaan campaign reliefs of Seti I (ca. 1294-1274 BC) on the walls of the Karnak Temple depict the “Way of the Land of the Philistines” that the Israelites avoided in their Exodus (Exodus 13:17), as it was said to be a place where they would encounter war. On this relief at the Karnak Temple complex, a map of the Horus way shows 11 forts and a north-south reed lined waterway crossing called “ta denit” (the dividing waters).

Combine this map with Papyrus Anastasi I, and 23 Egyptian fortifications are present along the highway from Tjaru at the border of Egypt to Rafa at the border of Canaan. The site of Tjaru has been identified as a border fortress and town near modern Qantara, northeast of the Ballah Lake.

Inscriptions show its use by 18th and 19th Dynasty Pharaohs, specifically Thutmose II, Seti I, and Ramses II. Thus, the Israelites avoided the easy path along the coast as God had commanded because it was heavily guarded by Egyptian troops, and recent archaeological research has demonstrated this “Way of the land of the Philistines,” also known as the “Way of Horus,” to be guarded by Egyptian border fortresses.

Karnak Temple – Pharaoh Merenptah (Merneptah)
The Pharaoh Merenptah (ca. 1213-1203 BC) also commissioned a relief at the Karnak Temple, one which is thought to correspond to the Merenptah Stele (Merneptah Stele) mentioning Israel found in his mortuary temple near Thebes on the west bank of the Nile and now housed in the Egyptian Museum in Cairo.

The relief is especially important to Biblical history because it may contain the earliest artistic representation of Israelites. The alleged Israelites in the relief are dressed more like Canaanites, whose culture they progressively adapted to during the Judges period when this relief was designed, instead of Shasu nomads like they were during the Exodus and wandering period.

Karnak Temple – Pharaoh Shishak (Shoshenq)
Finally, the topographical list of Pharaoh Shishak I (ca. 943-922 BC) commemorated his conquests in the kingdoms of Israel and Judah, mentioned in 1 Kings 14:25 and 2 Chronicles 12:2-4. On the wall of the Bubastite Portal at the Temple of Amun in Karnak, a long list of place names is recorded in relation to military conquest.

Part of it records the military campaign of Shoshenq I (Shishak 1) against Canaan and the Negev, supposedly naming captured cities in this conquest or tribute expedition of Shoshenq I. According to the Shishak Relief, both Israelite and Judean cities were involved.

This campaign was probably against Jeroboam of Israel and Rehoboam of Judah, as indicated by 1 Kings and 2 Chronicles, although neither name is found in the Egyptian inscriptions, but this is expected as the list does not contain personal names. At this point in the history of the Divided Kingdom, the Hebrew writers are not very concerned with the Northern Kingdom, and there is no information about Shoshenq I’s attacks in the north.


























Links
 
https://www.youtube.com/watch?v=7_GWoT0jtQw

Luxor Temple Egypt

Luxor is often called the world’s greatest open-air museum, but that comes nowhere near describing this extraordinary place. Nothing in the world compares to the scale and grandeur of the monuments that have survived from ancient Thebes.
 
Luxor is a city on the east bank of the Nile River in southern Egypt. It's on the site of ancient Thebes, the pharaohs’ capital at the height of their power, during the 16th–11th centuries B.C. Today's city surrounds 2 huge, surviving ancient monuments: graceful Luxor Temple and Karnak Temple, a mile north. The royal tombs of the Valley of the Kings and the Valley of the Queens are on the river’s west bank.

Luxor Temple is a large Ancient Egyptian temple complex located on the east bank of the Nile River in the city today known as Luxor (ancient Thebes) and was constructed approximately 1400 BCE. In the Egyptian language it is known as ipet resyt, "the southern sanctuary".

In Luxor there are several great temples on the east and west banks. Four of the major mortuary temples visited by early travelers and tourists include the Temple of Seti I at Gurnah, the Temple of Hatshepsut at Deir el Bahri, the Temple of Ramesses II (a.k.a. Ramesseum), and the Temple of Ramesses III at Medinet Habu; and the two primary cults temples on the east bank are known as the Karnak and Luxor.

Unlike the other temples in Thebes, Luxor temple is not dedicated to a cult god or a deified version of the king in death. Instead Luxor temple is dedicated to the rejuvenation of kingship; it may have been where many of the kings of Egypt were crowned in reality or conceptually (as in the case of Alexander the Great who claimed he was crowned at Luxor but may never have traveled south of Memphis, near modern Cairo.)


To the rear of the temple are chapels built by Amenhotep III of the 18th Dynasty, and Alexander. Other parts of the temple were built by Tutankhamun and Ramesses II. During the Roman era, the temple and its surroundings were a legionary fortress and the home of the Roman government in the area.

The entrance to the temple itself is known as the first pylon. It was built by Ramesses II and was decorated with scenes of his military expeditions, in particular his triumph at the battle of Kadesh. The pylon towers originally supported four huge cedar flag masts from which banners would have fluttered in the breeze. Later pharaohs (most notably the Nubian kings of dynast twenty-five) added scenes recording their own military triumphs to the first pylon. This entrance was flanked by six massive statues of Ramesses, two seated and four standing, but unfortunately the two seated statues are still relatively intact.

There is also a twenty-five metre pink granite obelisk also built by Ramesses just inside the gateway. It is one of a pair - the other now stands in the Place de la Concorde in Paris. The four sacred baboons who greet the morning sun are carved on the pedestal and the names and epitaphs of Ramesses appear on each side of the obelisk.

Beyond the first pylon Ramesses II built a peristyle courtyard (replacing an earlier court thought to have been constructed by Amenhotep III) which was set at an angle to the rest of the temple in order to preserve three pre-existing barque shrines constructed by Hatshepsut (with later additions) which stand in the northwest corner. The court is composed of a colonnade including a number of colossal statues of Amenhotep III which were usurped by Ramesses II. The Abu'l Hagag mosque perches precariously at the top of the columns of this courtyard. As a result one of the doorways, on the eastern side, hovers uselessly above the ground.

The peristyle courtyard leads to the processional colonnade built by Amenhotep III with additional decorations added by Tutankhamen ,Horemheb and Seti I. By entrance to the colonnade there are two statues representing Tutankhamun, but on each his name has been replaced by that of Ramesses II.

 It is lined with fourteen huge papyrus topped columns and the walls are decorated with scenes depicting the stages of the Opet Festival. Other decorations celebrate the reinstatement of Amun and the other traditional gods following the Atenist heresy. They are ascribed to Tutankhamun, but his name has been erased and replaced by that of Horemheb

The inner sanctum is reached by a shadowy antechamber with eight columns which was used as a temple during the Roman period and Roman decorations overlay the original Egyptian carvings, but the original carvings can be seen in patches where the stucco is crumbling away. A second antechamber contains a further four columns and depictions of Amenhotep II offering incense to Amun.

Past the antechambers, there is a barque shrine built by Amenhotep III and rebuilt by Alexander the Great which would house the statue of Amun during the Opet festival. Finally there are private chambers for the use of the three gods and the Birth Shrine of Amenhotep III in which the divine origins of the king are proclaimed. Amun takes the place of his father, Tuthmosis IV, to father the god-king with Mutemwiya (Amenhotep's mother). Khnum makes the pharaoh on his potter's wheel and the newborn king is presented to the gods.

The temple of Luxor is first mentioned on a pair of stelae dated to the twenty-second year of the reign of Ahmose I found at the Maasara quarry, to the east of Memphis. The stelae record the excavation of limestone for a serious of temples including the Luxor temple, which is referred to as the "Mansion of Amun in the Southern Sanctuary." However, the earliest structure discovered at Luxor appears to date to the reign of Hatshepsut and Tuthmosis III. The shrine they constructed was later expanded and extensively remodelled by Ramesses II and the original construction.

This was not the last building at Luxor to be extensively remodelled or dismantled. Reused blocks from structures built by Hatshepsut, Thuthmosis III and Amenhotep II have been found at the site. Akhenaten built a sanctuary dedicated to the sun god next to the Luxor Temple but this building was destroyed by Horemheb.

Tutankhamun built extensively at Luxor, but his constructions were largely usurped by Horemheb and Ramesses II. At one time there was a chapel dedicated to Hathor (built during the 25th dynasty by Taharqa) and a colonnade built by Shabaka, but both have been destroyed. Hadrian built a small mudbrick shrine to Serapis but all that remains of this structure is a statue of Isis and some rubble.

The Romans built a fort at the site and it is thought that around 1,500 Romans were stationed at the site. Although it seems that the religious function of the site had largely been eclipsed by its military function and some blocks of masonry from the temple were used in the construction of military buildings, a few other Roman additions suggest that this process was not complete.

A Christian basilica was added to the north east corner of the temple and later a mosque dedicated to the Muslim saint Abu'l Hagag was constructed on top of the ruins of this Christian building.

Construction

The original two obelisks, as seen in 1832. The one on the right is now in Paris, known as the Luxor Obelisk.

Luxor temple was built with sandstone from the Gebel el-Silsila area, which is located in South-Western Egypt. This sandstone from the Gebel el-Silsila region is referred to as Nubian Sandstone.This sandstone was used for the construction for monuments in Upper Egypt as well as in the course of past and current restoration works.

Like other Egyptian structures a common technique used was symbolism, or illusionism. For example, to the Egyptian, a sanctuary shaped like an Anubis Jackal was really Anubis.

At the Luxor temple, the two obelisks (the smaller one closer to the west is now at the Place de la Concorde in Paris) flanking the entrance were not the same height, but they created the illusion that they were.

With the layout of the temple they appear to be of equal height, but using illusionism, it enhances the relative distances hence making them look the same size to the wall behind it. Symbolically, it is a visual and spatial effect to emphasize the heights and distance from the wall, enhancing the already existing pathway.

Excavation

From medieval times the Muslim population of Luxor had settled in and around the temple, at the southward end of the mount. Due to the Luxor’s past city population building on top of and around the Luxor temple, centuries of rubble had accumulated, to the point where there was an artificial hill some 14.5 to 15 metres (48- 50 ft) in height.

The Luxor Temple had begun to be excavated by Professor Gaston Maspero after 1884 after he had been given the order to commence operations.The excavations were carried out sporadically until 1960. Over time, accumulated rubbish of the ages had buried three quarters of the temple which contained the courts and colonnades which formed the nucleus of the Arab half of the Modern village.

Maspero had taken an interest earlier, and he had taken over the post of Mariette Pasha to complete the job in 1881. Not only was there rubbish, but there were also barracks, stores, houses, huts, pigeon towers, which needed to be removed in order to excavate the site. (There still exists a working mosque within the temple which was never removed.) Maspero received from the Egyptian minister of public works the authorization needed to obtain funds in order to negotiate compensation for the pieces of land covered by the houses and dependencies.

Festivals

It has been determined that the Luxor temple holds great significance to the Opet Festival. The Luxor Temple was dedicated to the Theban Triad of the cult of the Royal Ka, Amun, Mut, and Khonsu and was built during the New Kingdom, the focus of the annual Opet Festival, in which a cult statue of Amun was paraded down the Nile from nearby Karnak Temple (ipet-isut) to stay there for a while, with his consort Mut, in a celebration of fertility – hence its name.

However, other studies at the temple by the Epigraphic Survey team present a completely new interpretation of Luxor and its great annual festival (the Feast of Opet). They have concluded that Luxor is the temple dedicated to the divine Egyptian ruler or, more precisely, to the cult of the Royal Ka.

Examples of the cult, of the Royal Ka can be seen with the colossal seated figures of the deified Ramesses II before the Pylon and at the entrance to the Colonnade are clearly Ka-statues, cult statues of the king as embodiment of the royal Ka.

Shrine stations

Six barque shrines, serving as way stations for the barques of the gods during festival processions, were set up on the avenue between the Karnak and Luxor Temple. The avenue which went in a straight line between the Luxor Temple and the Karnak area was recently lined with human-headed sphinxes of Nekhtanebo I,21, in ancient times it is probable that these replaced earlier sphinxes which may have had different heads.Along the avenue the stations were set up for ceremonies such as the Feast of Opet which held significance to temple.

Each station had a purpose, for example the fourth station was the station of Kamare, which cooled the oar of Amun. The Fifth station of Kamare was the station which received the beauty of Amun. Lastly the Sixth Station of Kamare was a shrine for Amun, Holy of Steps.

 Luxor, Arabic Al-Uqṣur, also called El-Aksur, city and principal component of Al-Uqṣur urban muḥāfaẓah (governorate), Upper Egypt. Luxor has given its name to the southern half of the ruins of the ancient Egyptian city of Thebes. Area governorate, 21 square miles (55 square km). Pop. (2006) governorate, 451,318.

Luxor was the ancient city of Thebes, the great capital of (Upper) Egypt during the New Kingdom, and the glorious city of Amun, later to become the god Amun-Ra. The city was regarded in the Ancient Egyptian texts as w3s.t (approximate pronunciation: "Waset"), which meant "city of the sceptre" and also as t3 ip3t (conventionally pronounced as "ta ipet" and meaning "the shrine") and then, in a later period, the Greeks called it Thebai and the Romans after them Thebae.

Thebes was also known as "the city of the 100 gates", sometimes being called "southern Heliopolis" ('Iunu-shemaa' in Ancient Egyptian), to distinguish it from the city of Iunu or Heliopolis, the main place of worship for the god Ra in the north.

It was also often referred to as niw.t, which simply means "city", and was one of only three cities in Egypt for which this noun was used (the other two were Memphis and Heliopolis); it was also called niw.t rst, "southern city", as the southernmost of them.

The importance of the city started as early as the 11th Dynasty, when the town grew into a thriving city. Montuhotep II who united Egypt after the troubles of the first intermediate period brought stability to the lands as the city grew in stature.

The Pharaohs of the New Kingdom in their expeditions to Kush, in today's northern Sudan, and to the lands of Canaan, Phoenicia and Syria saw the city accumulate great wealth and rose to prominence, even on a world scale. Thebes played a major role in expelling the invading forces of the Hyksos from Upper Egypt, and from the time of the 18th Dynasty to the 20th Dynasty, the city had risen as the political, religious and military capital of Ancient Egypt.

The city attracted peoples such as the Babylonians, the Mitanni, the Hittites of Anatolia (modern-day Turkey), the Canaanites of Ugarit, the Phoenicians of Byblos and Tyre, the Minoans from the island of Crete. A Hittite prince from Anatolia even came to marry with the widow of Tutankhamun, Ankhesenamun. The political and military importance of the city, however, faded during the Late Period, with Thebes being replaced as political capital by several cities in Northern Egypt, such as Bubastis, Sais and finally Alexandria.

However, as the city of the god Amun-Ra, Thebes remained the religious capital of Egypt until the Greek period.The main god of the city was Amun, who was worshipped together with his wife, the Goddess Mut, and their son Khonsu, the God of the moon.

With the rise of Thebes as the foremost city of Egypt, the local god Amon rose in importance as well and became linked to the sun god Ra, thus creating the new 'king of gods' Amon-Ra. His great temple, at Karnak just north of Thebes, was the most important temple of Egypt right until the end of antiquity.
 
Later, the city was attacked by Assyrian emperor Assurbanipal who installed the Libyan prince on the throne, Psamtik I. The city of Thebes was in ruins and fell in significance. However, Alexander the Great did arrive at the temple of Amun, where the statue of the god was transferred from Karnak during the Opet Festival, the great religious feast.

Thebes remained a site of spirituality up to the Christian era, and attracted numerous Christian monks in the Roman Empire who established monasteries amidst several ancient monuments including the temple of Hatshepsut, now called Deir el-Bahri ("the northern monastery")




























Link
https://www.youtube.com/watch?v=7_GWoT0jtQw
https://en.wikipedia.org/wiki/Luxor_Temple
http://ancientegyptonline.co.uk/luxortemple2.html